The history of the harmonica
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The history of the harmonica, as we know it today, is an amazing tale which begins in the year 1821. It was then that sixteen-year-old Christian Friedrich Buschmann registered the first European patents for his new musical invention. His so called "aura" was a free-reed instrument consisting of a series of steel reeds arranged together horizontally in small channels. An awkward design, it offered only blow notes arranged chromatically.
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Buschmann described his new instrument to his brother as "a new instrument that is truly remarkable. In its entirety it measures but four inches in diameter...but gives me twenty-one notes, and all the pianissimos and crescendos one could want without a keyboard, harmonies of six tones, and the ability to hold a note as long as one would wish to." Initial designs by Buschmann were widely imitated, leading to many modifications and advancements. A Bohemian instrument maker named Richter may have made the most important advancements in early harmonica design. Around 1826, he developed a variation that consisted of ten holes and twenty reeds, with separate blow and draw reed plates mounted on either side of a cedar comb. Richter's tuning, utilizing a diatonic scale, became the standard configuration of what Europeans referred to as the Mundharmonika or mouth organ. |
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In 1857, the history of the harmonica changed dramatically as German clock maker Matthias Hohner turned to manufacturing harmonicas full-time. With the help of his family and a hired workman, he was able to produce 650 instruments that year. Soon after, he added local workers and developed mass production techniques. Young Hohner was an outstanding businessman and showed his marketing savvy by developing ornate cover plates bearing the producer's name. |
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He introduced the harmonica to North America in 1862, a move which would propel the Hohner company to its status as world leader in harmonicas. By 1887, Hohner was producing more than one million harmonicas annually. Today, Hohner produces over 90 different models of harmonica, with a variety of styles and tunings which allows the player freedom of expression in all forms of music, from Classical and Jazz to Blues, Country and Rock, to the indigenous music of people worldwide. |
Some Chromatic
Harmonicas
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These models incorporate the full chromatic scale and allow the player to play in any key using one harmonica. Chromatic models provide the complete 12 note octave with all sharps and flats. Each hole contains four reeds: two are for natural notes and two for chromatic notes. The reeds for chromatic notes are brought into operation by pushing a slide button on the side of the harmonica. This closes off the air flow from one set or reeds and permits the other set to vibrate freely. The preferred instrument for Jazz and Classical, chromatic harmonicas are also used for Blues and Popular Music. |
CX-12
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The 64 ChromonicaA classic in the chromatic
series, the 64 Chromonica covers a complete 4 octave range starting one
octave below middle C. Tone and performance capabilities are outstanding,
aided by special wind saving valves and airtight, machine screw assembly.
Specifications: 16 holes, 64 reeds Key: C Length: 7 1/4" |
Hard Bopper
Specifications: 12 holes, 48 reeds Key: C Length: 5 5/8" |
Chrometta 12Smooth, rounded covers, large,
accessible mouthpiece openings and a beautiful tone make this model ideal
for both beginning and advanced palyers.
Specifications: 12 holes, 48 reeds Key: G, C Length: 5 7/8" |
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Super 64X
Specifications:
6 holes, 64 reeds Key: C Length: 7 1/4" |
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